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Ashdown Geezer Butler Head of Doom 600-watt Bass Head

600-watt Bass Head with Tube Preamp, Doom Control, 9-band EQ, Dual VU Meters, Sub-harmonic Generator, Passive/Active Selector, FX Loop, and Slave Input/Transformer-isolated Slave Outputs

Why Designers Can No Longer Trust the Design Process

For years, designers have been told to trust the process.Research first. Personas. Journey maps. Problem statements. Then solutions.In this talk from Hatch C...

AI Product Design Maturity Model | Figma

The model moves from Limited, where AI is mostly personal and low-risk, to Reactive, where teams dabble with vibe-coded prototypes that look promising but don’t hold up. In Developing, usage becomes intentional and repeatable, with shared patterns and prototypes that improve alignment and decisio...

CoBuild

A venture studio partnering with operators, investors, and innovators to turn raw ideas into fundable, scalable startups. In weeks

Making Sense of Minnesota, Anticipating Springfield

Exposing the propaganda-to-policy pipeline (and other reflections on current events)

jszmajda/how_i_claude: Notes and skills for how I use Claude Code

Notes and skills for how I use Claude Code

The Mountain Range That Disappeared and Came Back Again

https://patreon.com/MyronCookSpecial thanks to Vincent Coringrato for photos of the Colorado RockiesSpecial thanks to David Mackertich for videos of desert. ...

Immanuel Kant the, errrr, Walker? | Verso Books

Immanuel ‘the Königsberg clock’ Kant was renowned for his strict (and rather austere) daily routines. Having been born in Königsberg in 1724, he never left the small German city, dying there in 1804 aged 79 never having once gone further than the city’s limits. Yet despite his somewhat limited empirical knowledge of th

State of UX in 2026 - NN/G

UX faced instability from layoffs, hiring freezes, and AI hype; now, the field is stabilizing, but differentiation and business impact are vital.

Jesuit Commentary Track - Wake Up Dead Man

Two Jesuits provide a commentary track sharing their perspectives on the Church and pastoral theology in relation to the film.